'Fahrenheit 9/11': Unruly Scorn Leaves Room for Restraint, but Not a Lot

The New York Times > Movies > Movie Review: "While Michael Moore's 'Fahrenheit 9/11' will be properly debated on the basis of its factual claims and cinematic techniques, it should first of all be appreciated as a high-spirited and unruly exercise in democratic self-expression. Mixing sober outrage with mischievous humor and blithely trampling the boundary between documentary and demagoguery, Mr. Moore takes wholesale aim at the Bush administration, whose tenure has been distinguished, in his view, by unparalleled and unmitigated arrogance, mendacity and incompetence.

It is not a fair and nuanced picture of the president and his policies. What did you expect? Mr. Moore is often impolite, rarely subtle and occasionally unwise. He can be obnoxious, tendentious and maddeningly self-contradictory. He can drive even his most ardent admirers crazy. He is a credit to the republic. Has been likened to an op-ed column, it might more accurately be said to resemble an editorial cartoon. Mr. Moore uses archival video images, rapid-fire editing and playful musical cues to create an exaggerated, satirical likeness of his targets.

Mostly, though, he sifts through the public record, constructing a chronicle of misrule that stretches from the Florida recount to the events of this spring. His case is synthetic rather than comprehensive, and it is not always internally consistent. He dwells on the connections between the Bush family and the Saudi Arabian elite (including the bin Laden family), and while he creates a strong impression of unseemly coziness, his larger point is not altogether clear."