The New York Times > Arts > Art & Design: "In 1991 David Yust clocked 22 hours staring at a forest of yellow umbrellas in a valley north of Los Angeles. He spent 13 days in Berlin in 1995 marveling at the aluminum-surfaced fabric that draped the Reichstag, once rising at 2 a.m. for a reverential photo session of the sun rising over the enfolded neo-Renaissance landmark. And next week he plans to photograph a saffron-cloaked Central Park at dawn.
Mr. Yust, 65, is part of a far-flung group of followers of the artists Christo and Jeanne-Claude, whose latest public art project, "The Gates," is scheduled to open along 23 miles of the park's pedestrian walkways on Saturday. They are like the fans that long traipsed after the Grateful Dead, but with far fewer tour dates. They share the passion of people who collect milk glass, Manolo Blahniks or rare teapots, although their holdings are limited to books, pieces of fabric or, in the case of Caryl Unger, a shovel that was used to install "Surrounded Islands" in Biscayne Bay, off Miami.
Groupies? Gate-heads? They resist monikers. But their ardor for the Christo and Jeanne-Claude happenings is passionate.
The artists estimate that thousands of people around the globe make a point of traveling to see their work, often signing on to help install the pieces. Smaller Christo communities hammer beams, tread water, twist fabric, answer phones or perform myriad other tasks to help bring a work together. There is even a blog on which visitors can record their reactions: nycgates.blogspot.com.
For the record, the artists do not earn income from the detritus left behind once a project is over. "The Gates" will be industrially recycled, and proceeds from the sale of "Gates" sweatshirts and other souvenirs will be donated to Nurture New York's Nature and the Central Park Conservancy. The project, which will cost more than $20 million to install, will be paid for by the artists.
"We went to Fresno to see the umbrellas," said Ms. Halperin, who is 77. "We went to Paris, and we saw "Running Fence," she said, referring to the draping of the Pont-Neuf in Champagne-colored cloth in 1985 and a 24-mile nylon curtain that stretched through Sonoma and Marin Counties in California in 1976. " 'Running Fence' - to me that was the most beautiful one," she said. "The hills were beautiful and soft, and the light as the wind blew was magic. I will never forget that for the rest of my life."
Wednesday, February 09, 2005
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