Michael Moore's Candid Camera

The New York Times > Arts > Frank Rich: "'Fahrenheit 9/11' doesn't push any Vietnam analogies, but you may find one in a montage at the start, in which a number of administration luminaries (Cheney, Rice, Ashcroft, Powell) in addition to the president are seen being made up for TV appearances. It's reminiscent of Richard Avedon's photographic portrait of the Mission Council, the American diplomats and military figures running the war in Saigon in 1971. But at least those subjects were dignified. In Mr. Moore's candid-camera portraits, a particularly unappetizing spectacle is provided by Paul Wolfowitz, the architect of both the administration's Iraqi fixation and its doctrine of 'preventive' war. We watch him stick his comb in his mouth until it is wet with spit, after which he runs it through his hair. This is not the image we usually see of the deputy defense secretary, who has been ritualistically presented in the press as the most refined of intellectuals � a guy with, as Barbara Bush would have it, a beautiful mind."